类型:剧情,爱情,剧情片 / 地区:美国 / 年份:1919
状态:已完结
地区:美国
语言:英语
年份:1919
导演:埃里克·冯·施特罗海姆
主演:萨姆·德·格拉斯 Francelia Billington 埃里克·冯·施特罗海姆 Fay Holderness Ric
更新:2024-11-13
简介:Two differences between this Austrian version and Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.详情
克里斯蒂安·贝尔,汤姆·哈迪,安妮·海瑟薇,约瑟夫·高登-莱维特,玛丽昂·歌迪亚,加里·奥德曼,迈克尔·凯恩,摩根·弗里曼,朱诺·坦普尔,乔什·平茨,丹尼尔·逊亚塔,内斯特·卡博内尔,伯恩·戈曼,连姆·尼森,乔伊·金,艾丹·吉伦,基里安·墨菲,乔什·斯图沃特,马修·莫迪恩,本·门德尔森
村濑步,石川界人,日野聪,入野自由,细谷佳正,林勇,内山昂辉,齐藤壮马,冈本信彦,神谷浩史,名冢佳织,江川央生,诸星堇,梶裕贵,中村悠一,立花慎之介,石井马克,横田成吾,星野贵纪,池田恭祐,长南翔太,中博史,福田信昭,木村昴,土屋神叶,渡边拓海,木村良平,逢坂良太,山本兼平
佐藤胜利,片山友希,板仓武志,尾上松也,津田宽治,Fenix D'Joan,田中卓志,池津祥子,藤本洸大,林芽亚里,堀井新太,森冈丰,新井真悟,西畑澪花,清野菜名,细田善彦,福津健创
铃木亮平,森田望智